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**Art History Animalia** @art_history_animalia@historians.social · 18. mars *

Art History Animalia @art_history_animalia@historians.social

#MosaicMonday :
#Coyote Head
Toltec, Early Post-Classic (900-1250 CE)
Offering of the El Corral Shrine, Tula, Hidalgo, Mexico
Ceramic vessel with shell mosaic and bone, H 13 x W 9.6 cm
INAH: https://lugares.inah.gob.mx/en/zonas-arqueologicas/zonas/piezas/7393-7393-cabeza-coyote.html?lugar_id=1736
#IndigenousArt #MesoamericanArt

“This vessel, known as the "coyote head," depicts the feathered canine from whose jaws a bearded figure emerges or appears. It was made on a lead-colored ceramic vessel with mother-of-pearl mosaics that emulate the coyote's feathers. The teeth of both figures were made from bone, while the hair and beard were made from seashells. This piece may possibly be an early representation of the "coyote warriors," later adopted by Mexica society.”

“Now, while talking about seashells and snails for the pre-Hispanic era are often contemplated the origin of marine environments, it is true that several species of freshwater were also used. Here stands out the Toltec society, whose population made outstanding use of those resources and whose obtaining would seem easier than that of the seas, although its current distribution does not rule out the existence of exchange networks, as happened with those. The majority is the use of seashells necaradas, mainly of the genus Nephronaias, with which they were made tessels. Perhaps the best-known example of this phenomenon is the pottery piece exhibited in the Tolteca Room of the National Museum of Anthropology, identified as the Warrior Coyote or the Feathered Coyote and covered with iridescent shell mosaics. In addition, in archaeological projects developed in the region of Tula, in the state of Hidalgo, it is common to find complete valves, others in the process of modification, as well as finished objects elaborated with the mentioned genres.” https://arqueologiamexicana.mx/mexico-antiguo/guerrero-coyote

**Art History Animalia** @art_history_animalia@historians.social · 29. jan.

29. jan.

Art History Animalia @art_history_animalia@historians.social

#RattlesnakeAppreciationDay :
Knotted #Rattlesnake
Aztec, Postclassic 1100-1520 CE
Basalt, H 11 1/4 x W 16 in. (28.5 x 40.64 cm)
The Walters Art Museum 29.2 https://art.thewalters.org/object/29.2/
“Snakes were powerful symbols throughout Mesoamerican history, linked with the sky, rain, and agriculture. Aztecs may have seen the snake's shedding of its skin as a metaphor for the cyclical nature of life, death, and rebirth.”
#IndigenousArt #MesoamericanArt

**Art History Animalia** @art_history_animalia@historians.social · 29. jan.

29. jan.

Art History Animalia @art_history_animalia@historians.social

For #RattlesnakeAppreciationDay :
1. #Rattlesnake
#Aztec , 1200-1520 CE
Rhyolite porphyry
2. #Snake Head
Aztec, 1200-1520 CE
Serpentine (very fitting!)
both on display at Dumbarton Oaks
#IndigenousArt #MesoamericanArt

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